Engy Mohsen

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	<title>Engy Mohsen </title>
	<link>https://engymohsen.com</link>
	<description>Engy Mohsen </description>
	<pubDate>Wed, 23 Feb 2022 23:58:46 +0000</pubDate>
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		<title>Landing Page</title>
				
		<link>https://engymohsen.com/Landing-Page</link>

		<pubDate>Sat, 03 Oct 2020 20:38:36 +0000</pubDate>

		<dc:creator>Engy Mohsen </dc:creator>

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		<title>Works</title>
				
		<link>https://engymohsen.com/Works</link>

		<pubDate>Sat, 03 Oct 2020 19:55:25 +0000</pubDate>

		<dc:creator>Engy Mohsen </dc:creator>

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&#60;img width="3161" height="4777" width_o="3161" height_o="4777" data-src="https://freight.cargo.site/t/original/i/89c3fbc3cf55e56cec9899e449b515e81fa291d6a362e1b1fec6f6c16a47b913/Cover_Scan_Low-Contrast.jpg" data-mid="166450309" border="0" alt="Machi Mashy: Or, in Other Words &#38;quot;Not Working&#38;quot;" data-caption="Machi Mashy: Or, in Other Words &#38;quot;Not Working&#38;quot;" src="https://freight.cargo.site/w/1000/i/89c3fbc3cf55e56cec9899e449b515e81fa291d6a362e1b1fec6f6c16a47b913/Cover_Scan_Low-Contrast.jpg" /&#62;
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&#60;img width="2220" height="3328" width_o="2220" height_o="3328" data-src="https://freight.cargo.site/t/original/i/f527a9724236325fa680c8ad9df7cd2ac1e4b952517739bca5bf8d3fb66e2bde/R2_.jpg" data-mid="89554278" border="0" data-draggable alt="Room 1: On Ghosts, Myths &#38;amp; Colonialism" data-caption="Room 1: On Ghosts, Myths &#38;amp; Colonialism" src="https://freight.cargo.site/w/1000/i/f527a9724236325fa680c8ad9df7cd2ac1e4b952517739bca5bf8d3fb66e2bde/R2_.jpg" /&#62;
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&#38;nbsp;


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	<item>
		<title>Index</title>
				
		<link>https://engymohsen.com/Index</link>

		<pubDate>Sat, 05 Dec 2020 23:14:02 +0000</pubDate>

		<dc:creator>Engy Mohsen </dc:creator>

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(2022) Machi Mashy: Or, in Other Words "Not Working"
&#60;img width="3161" height="4777" width_o="3161" height_o="4777" data-src="https://freight.cargo.site/t/original/i/cd7f31c80c8f4121a10f21669b313bc7b5ee146ca9ddfbdcde2c594d56c476e3/Cover_Scan_Low-Contrast.jpg" data-mid="166450566" border="0" data-scale="18" src="https://freight.cargo.site/w/1000/i/cd7f31c80c8f4121a10f21669b313bc7b5ee146ca9ddfbdcde2c594d56c476e3/Cover_Scan_Low-Contrast.jpg" /&#62;
(2022) How to create comfortable resting positons with _____?
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/d43633ba4a6466e2f4f96bbfc92c199664e195bf4d7112736bccd065b0379bb6/7f6f8290-0602-4d29-a998-5ec39fb97aa9.jpg" data-mid="150487226" border="0" data-scale="15" src="https://freight.cargo.site/w/1000/i/d43633ba4a6466e2f4f96bbfc92c199664e195bf4d7112736bccd065b0379bb6/7f6f8290-0602-4d29-a998-5ec39fb97aa9.jpg" /&#62;

(2022) Machi Mashy: A H(ij)acked Tongue
&#60;img width="3931" height="5897" width_o="3931" height_o="5897" data-src="https://freight.cargo.site/t/original/i/2bbdd4fd853d7cec4aaf37eeb54cb90f52bc3c659a764d1df8df96cecba3315b/Longing_for_Community-21.jpg" data-mid="138417785" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/2bbdd4fd853d7cec4aaf37eeb54cb90f52bc3c659a764d1df8df96cecba3315b/Longing_for_Community-21.jpg" /&#62;

(2022) 

Machi Mashy: Art Work
&#60;img width="1080" height="810" width_o="1080" height_o="810" data-src="https://freight.cargo.site/t/original/i/9be2400a785761b98b5afb4513eb1fa8ba2113a5eb5af0e52647d5e26c2df2a4/235877124_422045092491119_1409545067029165186_n.jpg" data-mid="121825692" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/9be2400a785761b98b5afb4513eb1fa8ba2113a5eb5af0e52647d5e26c2df2a4/235877124_422045092491119_1409545067029165186_n.jpg" /&#62;


(2021) Notes on Collaboration


&#60;img width="1232" height="2109" width_o="1232" height_o="2109" data-src="https://freight.cargo.site/t/original/i/027af745adce6e6d844a4130e36512b76edab4fbed0f2b6bcb5cb64c32865013/Notes-on-Collaboration_A.png" data-mid="121825317" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/027af745adce6e6d844a4130e36512b76edab4fbed0f2b6bcb5cb64c32865013/Notes-on-Collaboration_A.png" /&#62; 


(2021) How To Love Many In Many Ways


&#60;img width="6857" height="4912" width_o="6857" height_o="4912" data-src="https://freight.cargo.site/t/original/i/53d43e89801c0acb76fb0e19a23d9aa7ec6ed679a38ec462e3e3380445145345/_DSC7670.jpg" data-mid="121825384" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/53d43e89801c0acb76fb0e19a23d9aa7ec6ed679a38ec462e3e3380445145345/_DSC7670.jpg" /&#62;


&#60;img width="6857" height="4912" width_o="6857" height_o="4912" data-src="https://freight.cargo.site/t/original/i/53d43e89801c0acb76fb0e19a23d9aa7ec6ed679a38ec462e3e3380445145345/_DSC7670.jpg" data-mid="121825384" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/53d43e89801c0acb76fb0e19a23d9aa7ec6ed679a38ec462e3e3380445145345/_DSC7670.jpg" /&#62;(2021) 

End Meeting For All


&#60;img width="3000" height="4000" width_o="3000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/398ebc9376400fc9bfdd7cc47e3d01f5f711312a2ad10f043e2679096f1517ed/IMG_07162021RC.jpg" data-mid="121825762" border="0" data-scale="10" src="https://freight.cargo.site/w/1000/i/398ebc9376400fc9bfdd7cc47e3d01f5f711312a2ad10f043e2679096f1517ed/IMG_07162021RC.jpg" /&#62;


(2020) Chatrooms: On Curating Spaces

&#60;img width="2408" height="3627" width_o="2408" height_o="3627" data-src="https://freight.cargo.site/t/original/i/74f59b0439d5f409a1cc8e8e338b7a6c19b3f002ab336ce8dee85b2aae84822b/Cover.jpg" data-mid="91168683" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/74f59b0439d5f409a1cc8e8e338b7a6c19b3f002ab336ce8dee85b2aae84822b/Cover.jpg" /&#62;
&#38;nbsp; &#38;nbsp; (Room 0) The Pilot Room

&#60;img width="2448" height="3264" width_o="2448" height_o="3264" data-src="https://freight.cargo.site/t/original/i/d39eb4a38f0448d6e478308cf2b9c85f8f0406f5e716d74392d7101d102e41bc/R1.jpg" data-mid="91168676" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/d39eb4a38f0448d6e478308cf2b9c85f8f0406f5e716d74392d7101d102e41bc/R1.jpg" /&#62; 
&#38;nbsp; &#38;nbsp; (Room 1) On Ghosts, Myths &#38;amp; Colonialism


&#60;img width="2220" height="3328" width_o="2220" height_o="3328" data-src="https://freight.cargo.site/t/original/i/7a4339ef1986c03a2a42832c945f671902781c603477c54c1b0ad2c8b38b27ec/R2_.jpg" data-mid="91168680" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/7a4339ef1986c03a2a42832c945f671902781c603477c54c1b0ad2c8b38b27ec/R2_.jpg" /&#62;


&#38;nbsp; &#38;nbsp; (Room 2) Not a Kitchen
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&#38;nbsp; &#38;nbsp; (Room 3) Field Trip: On Schools
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/5037218fe8133580606e888bba65e790767541a86fcdb156721f11af78325e01/R4.jpg" data-mid="93406258" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/5037218fe8133580606e888bba65e790767541a86fcdb156721f11af78325e01/R4.jpg" /&#62; 

&#38;nbsp; &#38;nbsp; (Room 4) Curating the Archive
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/637c309edda4070b7a293e5e98fb0cbe2d5b404894044157532c8deb412520ba/R5_.jpg" data-mid="91168681" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/637c309edda4070b7a293e5e98fb0cbe2d5b404894044157532c8deb412520ba/R5_.jpg" /&#62;


(2020) I_w0rk@Artist


&#60;img width="1899" height="1437" width_o="1899" height_o="1437" data-src="https://freight.cargo.site/t/original/i/c692e69d854df5c39e0faa5891436af520e3bd74c90cf53d8210c0c900c2adc3/Untitled-2_.jpg" data-mid="93485135" border="0" data-scale="25" src="https://freight.cargo.site/w/1000/i/c692e69d854df5c39e0faa5891436af520e3bd74c90cf53d8210c0c900c2adc3/Untitled-2_.jpg" /&#62;


(2020) Chatrooms: Or, How to Set Up for an Online Room 


&#60;img width="2846" height="1600" width_o="2846" height_o="1600" data-src="https://freight.cargo.site/t/original/i/6ec6c5126e2a7aff974c484a549895ffc7444cebd048260400b670c7556784d4/2.jpg" data-mid="93406256" border="0" data-scale="35" src="https://freight.cargo.site/w/1000/i/6ec6c5126e2a7aff974c484a549895ffc7444cebd048260400b670c7556784d4/2.jpg" /&#62; 


(2019) Chatrooms: A Guidebook to Discursive Spaces 


&#60;img width="3376" height="4824" width_o="3376" height_o="4824" data-src="https://freight.cargo.site/t/original/i/d04bcc87b908268c536f1fdbf91e15d07f15c8ee15e8dc40f29a3cfc67f3b958/B4_Chatrooms-Guide_2.jpg" data-mid="104195572" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/d04bcc87b908268c536f1fdbf91e15d07f15c8ee15e8dc40f29a3cfc67f3b958/B4_Chatrooms-Guide_2.jpg" /&#62; 
(2018) The Act of Conversing in a Space that Remembers


&#60;img width="2589" height="3237" width_o="2589" height_o="3237" data-src="https://freight.cargo.site/t/original/i/e0f8bb895856a7b67c472b012f643672f60fda0401dfa863963aafcd333cc524/5_2.jpg" data-mid="93406336" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/e0f8bb895856a7b67c472b012f643672f60fda0401dfa863963aafcd333cc524/5_2.jpg" /&#62; 


(2017) Recorded Cases of Incidental Art


&#60;img width="4677" height="3307" width_o="4677" height_o="3307" data-src="https://freight.cargo.site/t/original/i/ec7c32038075ad241d0ca999836a1679d91003a45babe9ceb8de85293757d365/7.jpg" data-mid="93302059" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/ec7c32038075ad241d0ca999836a1679d91003a45babe9ceb8de85293757d365/7.jpg" /&#62;


(2017) Based on an Adapted Screenplay


&#60;img width="3234" height="4837" width_o="3234" height_o="4837" data-src="https://freight.cargo.site/t/original/i/9dc0219db90334b1283c6314c693ae22c622a9d788295af22f2d4984e5aae00c/8.jpg" data-mid="91168673" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/9dc0219db90334b1283c6314c693ae22c622a9d788295af22f2d4984e5aae00c/8.jpg" /&#62; 


(2017) The White Room


&#60;img width="2335" height="2335" width_o="2335" height_o="2335" data-src="https://freight.cargo.site/t/original/i/5cbe877333642936f130ecb0be6dd4a8df65c1c7d452542ebc9dd7f5d51a9749/9.jpg" data-mid="93302060" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/5cbe877333642936f130ecb0be6dd4a8df65c1c7d452542ebc9dd7f5d51a9749/9.jpg" /&#62;


(2016)&#38;nbsp;Adapted Realms

&#60;img width="3359" height="3361" width_o="3359" height_o="3361" data-src="https://freight.cargo.site/t/original/i/cc77f3d7676e9076624f9953e62bc7a5ce111715c317da93bdfab1e27e003bd0/10_.jpg" data-mid="93485557" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/cc77f3d7676e9076624f9953e62bc7a5ce111715c317da93bdfab1e27e003bd0/10_.jpg" /&#62; 

 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ︎︎︎ 

Portfolio + CV

 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

︎︎︎ Design Works

&#60;img width="3931" height="5897" width_o="3931" height_o="5897" data-src="https://freight.cargo.site/t/original/i/2bbdd4fd853d7cec4aaf37eeb54cb90f52bc3c659a764d1df8df96cecba3315b/Longing_for_Community-21.jpg" data-mid="138417785" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/2bbdd4fd853d7cec4aaf37eeb54cb90f52bc3c659a764d1df8df96cecba3315b/Longing_for_Community-21.jpg" /&#62;


&#60;img width="3359" height="3361" width_o="3359" height_o="3361" data-src="https://freight.cargo.site/t/original/i/cc77f3d7676e9076624f9953e62bc7a5ce111715c317da93bdfab1e27e003bd0/10_.jpg" data-mid="93485557" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/cc77f3d7676e9076624f9953e62bc7a5ce111715c317da93bdfab1e27e003bd0/10_.jpg" /&#62; 

&#38;nbsp;


&#60;img width="3161" height="4777" width_o="3161" height_o="4777" data-src="https://freight.cargo.site/t/original/i/cd7f31c80c8f4121a10f21669b313bc7b5ee146ca9ddfbdcde2c594d56c476e3/Cover_Scan_Low-Contrast.jpg" data-mid="166450566" border="0" data-scale="33" src="https://freight.cargo.site/w/1000/i/cd7f31c80c8f4121a10f21669b313bc7b5ee146ca9ddfbdcde2c594d56c476e3/Cover_Scan_Low-Contrast.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>About</title>
				
		<link>https://engymohsen.com/About</link>

		<pubDate>Thu, 24 Sep 2020 08:46:54 +0000</pubDate>

		<dc:creator>Engy Mohsen </dc:creator>

		<guid isPermaLink="true">https://engymohsen.com/About</guid>

		<description>

	
Engy Mohsen Sarhan is an artist, writer, and curator whose work spans self-published printed matter and collective, activist-driven constellations. 

Her research focuses on the emergence of independent art schools in the Arab world, with particular attention to their entanglement with foreign cultural funding and their strategies for negotiating cultural sovereignty through decolonial pedagogies. She holds an MSc in Modern Middle Eastern Studies from the University of Oxford, an MA in Transdisciplinary Studies in the Arts from Zürich University of the Arts, and a joint BSc in Architecture and Urban Design from the German University in Cairo and the Technical University of Brandenburg. 


She was previously part of Artists for Artists (AfA) Masterclass: Radical Care, MASS Alexandria, Roznama Studio Program, and School of Commons. Alongside her self-published books, her writing has appeared in Mada Masr, Mondoweiss, NO NIIN Magazine, the&#38;nbsp;Oxford Middle East Review, among others.


She is a founding member of K-oh-llective, a platform for resource-sharing among artists, writers, and curators in Egypt and the Arab world, and part of the curatorial team of Les Complices*, a self-organised community-based art space in Zürich.


&#60;img width="573" height="576" width_o="573" height_o="576" data-src="https://freight.cargo.site/t/original/i/83427e4949352b21e441f32d07e5edbd0c4db45590b8ad3a1b744be591782816/black-circle.png" data-mid="84520538" border="0" data-scale="39" src="https://freight.cargo.site/w/573/i/83427e4949352b21e441f32d07e5edbd0c4db45590b8ad3a1b744be591782816/black-circle.png" /&#62;


&#38;nbsp;Artist Statement / CV


	Education


︎︎︎ 2024–2025: MSc Modern Middle Eastern Studies, University of Oxford, UK.


︎︎︎ 2022–2024: MA Transdisciplinary Studies in the Arts, Department of Cultural Analysis and Mediation (DKV), Zürich University of the Arts, Zürich, CH.


︎︎︎ 2013–2018: BSc Architecture and Urban Design, German University Cairo, EG.

︎︎︎ 2017: Bachelor's thesis, Brandenburg University of Technology (BTU), Chair of Architectural Design, Building Typology &#38;amp; Spatial Organization, Cottbus, DE.

Para-Institutional Art Schools
︎︎︎ 2023 - School of Commons, Zürich, CH.︎︎︎ 2022 - School of Commons, Zürich/Online.


︎︎︎ 2020 - Artists for Artists (AfA) Masterclass: Radical Care, Online.︎︎︎ 2019 - MASS Alexandria Independent Studio/Study Program, Alexandria, EG.︎︎︎ 2018 - Roznama 6 Studio Program, Cairo, EG.


Residencies


︎︎︎ 2026 - Artist Residency, DAS WEISSE HAUS and Philomena+, Vienna, AT.
︎︎︎ 2025 - Curatorial Team Residency, Les Complices*, Arogno, CH.
︎︎︎ 2025 - MMAG Foundation, House Guest, Jordan.

︎︎︎ 2025 - Curatorial Team Residency, Les Complices*, Ticino, CH.


︎︎︎ 2024 - SAM Curatorial and Research Resident, Singapore.


︎︎︎ 2023 - UNIDEE Residency, Cittadellarte-Fondazione Pistoletto, Biella, IT.

︎︎︎ 2023 - Curatorial Team Residency, Les Complices*, 

Zürich, CH.


︎︎︎ 2022 - Art Omi: Artists Residency, New York, USA.


 ︎︎︎ 2021 - 
 Rote Fabrik, Pro Helvetia
Studio Residency, Zürich, CH.︎︎︎ 2020 - 
Homebound Residency, Warehouse421, Abu Dhabi, UAE/Online.︎︎︎ 2020 - YARAT Contemporary Art Space, Baku, AZ. (canceled)︎︎︎ 2020 - The Lab at Darat Al Funun, Amman, JO.
(canceled)︎︎︎ 2020 - Triangle France, Astérides, Marseille, FR. 
(shortlisted)


Awards &#38;amp; Scholarships


︎︎︎ 2025 - 

Förderpreis des Kantons Zürich, for Les Complices*, CH.

︎︎︎ 2024 - The Clarendon Fund Scholarship, UK. (titular)


︎︎︎ 2024 - Africa-Oxford Initiative, Mastercard Foundation Scholarship, UK.

︎︎︎ 2023 - ZHdK Fund for International and Intercultural Student Projects, CH.


︎︎︎ 2023 - The Hirschmann Foundation Scholarship, CH.


︎︎︎ 2022 - Rolex Mentorship Protégé Initiative, Architecture. (nominated)


︎︎︎ 2022 - Excellence Scholarship, Fondation ZHdK, CH.


︎︎︎ 2022 - Al Alfi Postgraduate Fellowship, 


Al Alfi Foundation, EG. 

︎︎︎ 2022 - 100 Artists, artlink and SüdKulturFonds, CH.

︎︎︎ 2019 -

 Villa Vassilieff, Pernod Ricard Fellowship, FR.

 (shortlisted)

︎︎︎ 2019 - Roznama 7, Solo Exhibition Prize by Soma Art Gallery, EG.


︎︎︎ 2014 - 25th Youth Salon, Collection of CIB Bank, EG.


Grants


︎︎︎ 2023 - School of Commons, project grant, CH.


︎︎︎ 2023 - Regional Training &#38;amp; Events, AFAC, as K-oh-llective, LB.


︎︎︎ 2022 - School of Commons, project grant, CH.


︎︎︎ 2021 - Visual Arts Grant Program, AFAC, with Souakina Joual, LB.


︎︎︎ 2021 - Production grant,


Pro Helvetia Cairo, CH.


︎︎︎ 2021 - 
Production grant, 

A.M. Qattan Foundation, VAFF Project, PS/SE.


︎︎︎ 2021 - 

Grants for Artists, 
Mophradat, 

 with Souakina Joual, BE.


︎︎︎ 2021 - All-Round Culture, Youth-led Initiatives, as Dataland, EU.


︎︎︎ 2021 - Wijhat travel grant, Culture Resource, LB.


︎︎︎ 2021 - General mobility grant, Fanak Fund, FR.


︎︎︎ 2020 - 

Self-Organizations, Mophradat,

 as K-oh-llective, BE.︎︎︎ 2020 - Homebound 
Residency production grant, Warehouse421, UAE.


︎︎︎

 2020 - Parallel Sphere production grant, Pro Helvetia Cairo, CH.

︎︎︎

 2020 - Project Revival Fund, Warehouse421, UAE.

︎︎︎

 2020 - Art Jameel Research and Practice Platform, UAE.

︎︎︎ 2020 - Production grant, A.M. Qattan Foundation, VAFF Project, PS/SE.


︎︎︎

 2020 - Grants to Artists, British Council Cairo, with Sarah Maher, UK.
︎︎︎

 2019 - Grants for Artists, Mophradat, with Sarah Maher, BE.


Public Events 

&#38;amp; Workshops


︎︎︎ 2023 - “The music is the making of the music" with Dimitri Reist, HKB Bern.


︎︎︎ 

2023 - 

“Beyond the practice" talk moderated by Sarah Sarofim, 

TCC, Cairo.


︎︎︎ 2023 - “Undercurrents III: Language et Médiation”, Mahal Art Space, Tangier.

︎︎︎ 2023 - “Machi Mashy: Book Launch”, L’appartement 22, Rabat.


︎︎︎ 2023 - 
“Machi Mashy: Open Discussion”, Contemporary Image Collective.


︎︎︎ 2023 - “Machi Mashy: Book Launch”, 40Mustaqel Studio, Cairo.

︎︎︎ 2023 - “K-oh-llective: where do we go from here?”, ARDforart, Cairo.

︎︎︎ 2022 - “Special Measures”, online talk, Khalil Al Sakakini Cultural Center.


︎︎︎ 2022 - “Undercurrents II: Collective Making”, as K-oh-llective, Marrakech.


︎︎︎ 2022 - 

“Experimental Pedagogies in Practice”, School of Commons, Zürich.

︎︎︎ 2022 - “How to Love Many in Many Ways”, School of Commons, Zürich.


︎︎︎ 2022 - “How to Love Many in Many Ways”, Volumes Book Fair, Zürich.


︎︎︎ 2022 - “How to Love Many in Many Ways”, Inst. Art Gender Nature, Basel.


︎︎︎ 2022 - “Recipes of Commoning”, as K-oh-llective, Frame Finland, Helsinki.


︎︎︎ 2022 - “City as University”, symposium, Floating University, Berlin, DE.


︎︎︎ 2022 - “Open Studios”, Art Omi: Artists, New York, USA.


︎︎︎ 2022 - “SoC Intensive Weekend”, with Petra Mrša &#38;amp; Philip Ullrich, Zürich, CH.


︎︎︎ 2022 - “Kitchen Sessions”, School of Commons, online.&#38;nbsp;

︎︎︎ 2021 - “Homebound Residency: Artist Talk”, Warehouse421, online. 


︎︎︎ 2021 - “Zürich Art Weekend”, open studio at Rote Fabrik.


︎︎︎ 2021 - “How To Love Many In Many Ways”, workshops in

Zürich.

︎︎︎ 2021 - 

“Shish Bish”, Workshop by Makouk and Medrar.


︎︎︎ 2020 - “Live Praxes #2: “Written to be Spoken” by Mohamed Abdelkarim. 


︎︎︎

 2020 - “Qaaf Laam in the Chatroom”, online talk, moderated by Noor Abed.

︎︎︎

 2019 - “In the Realm of Hungry Ghosts”, Bamako Biennial public program.


︎︎︎

 2019 - “Food Ethnography 

Workshop” workshop with Mai Amer, CiC.

︎︎︎

 2018 - “The Land Speaks to you in Signs” workshop with Ala Yunis, Zawya.


︎︎︎

 2017 - “Naeema’s Office is Bleeding” workshop with Hany Rashed, Medrar.


Published Works


︎︎︎ 2026 - “Living to Learn &#124; Art &#38;amp; Education for the Common Good", Inventory Press, edited by Noah Simblist. (forthcoming)

︎︎︎ 2026 - “Towards New Schools", Gerrit Rietveld Academie. (forthcoming)


︎︎︎ 2023 - 

“K-oh-llective: Texts on Paper”, co-editor, collection of texts.

︎︎︎ 2023 - “Machi Mashy: What if it Works?”, w/ Soukaina Joual, Undercurrents.


︎︎︎ 2023 - “Maybe We’re in a Bad Marriage”, as K-oh-llective, NO NIIN Volume II.


︎︎︎ 2023 - “Dataland: Typology01: Administrative Buildings”, as project advisor.

︎︎︎ 2023 - “Seeen Magazine: Issue No.0”, interview by Mai El Gabry.

︎︎︎ 2023 - “Warmups and Cooldowns”, Eirini Sourgiadaki and&#38;nbsp;HumDrumm Press.


︎︎︎ 2023 - “How to Love Many in Many Ways: Love Stories”, HumDrumm Press.

︎︎︎ 2022 - 

“Machi Mashy: Or, in Other Words Not Working”, w/ Soukaina Joual.

︎︎︎ 2022 - “Squatting the Internet”, as K-oh-llective, Rehearsing Hospitalities 4.


︎︎︎ 2022 - “OTTSASWEGO”, edited by C. Sissokho &#38;amp; S. Aboulaoula. (canceled)
︎︎︎ 2022 - “Maybe We’re in a Bad Marriage”, as K-oh-llective, NO NIIN Magazine.


︎︎︎ 2021 - “Notes on Collaboration”, edited by Mai El Wakil.
︎︎︎ 2020 - “The Thelos Society Earth” Issue I, edited by Georgia Kotretsos.


︎︎︎

 2020 - “Chatrooms: On Curating Spaces”, edited by Nour El Safoury.

︎︎︎

 2020 - “No ISBN: On Self-Publishing”, by Bernard Cella, Wael Ashry, Kayfa ta.

︎︎︎

 2019 - “Chatrooms: A Guidebook to Discursive Spaces”, self-published.

︎︎︎ 2018 - “Roznama 6”, booklet edited by N. El Safoury and M. Abdelkarim.

︎︎︎

 2018 - “Robabecciah: The Informal City”, 

Egyptian National Pavilion,

16th Venice Biennale of Architecture, edited by Mouaz Abozaid and Eslam El Mashtooly.

Book Fairs


︎︎︎ 2025 -&#38;nbsp; Cairo Art Book Fair, Cairo, EG. (as K-oh-llective + Les Complices*)


︎︎︎ 2024 -&#38;nbsp; 

Index Art Book Fair*, Venice, IT.

︎︎︎ 2023 -&#38;nbsp; Cairo Art Book Fair, Cairo, EG. (as K-oh-llective)


︎︎︎ 2023 - Sprint Art Book Fair*, Milan, IT.


︎︎︎ 2023 - Volumes: Art Publishing Days, Zürich, CH. (as Les Complices*)


︎︎︎ 2023 - Focal Point, Sharjah Art Foundation, UAE.


︎︎︎ 2023 - Miss Read*, Berlin, DE.


︎︎︎ 2023 - I Never Read*, Basel, CH.


︎︎︎ 2022 - Cairo Art Book Fair, Cairo, EG.


︎︎︎ 2022 - Volumes: Art Publishing Days, Zürich, CH.

︎︎︎ 2022 - Focal Point*, Sharjah Art Foundation, UAE.

︎︎︎ 2022 - Athens Art Book Fair*, Athens, GR.


*through Cairo Art Book Fair as participants in the book fair
	

Collectives


︎︎︎ 

Les Complices* - Curatorial team with Kay Zhang, Paloma Ayala, tracy september, Thi My Lien Nguyen, 2023-ONGOING. 


︎︎︎ 

K-oh-llective - Co-founded with Nada El Kalaawy, Rania Atef, Mohamed Al Bakeri, Soukaina Joual, 2020-ONGOING. 


︎︎︎ 

Dataland Publications - Project advisor, 2021-2023.
Group Exhibitions &#38;amp; Performances


2025


︎︎︎ “Design Dispatch 2.0 NEONNEON" - Manarat Al Saadiyat, Abu Dhabi, UAE.


︎︎︎ SAM Residencies Cycle 2 Compendium, Singapore Art Weekend, SG.&#38;nbsp;


2024


︎︎︎ “A Game is a Great Excuse" - Swiss Dance Days, Gessnerallee, Zürich, CH.


︎︎︎ “The Institute for Embodied Creative Practices", Shedhalle, Zürich, CH.


︎︎︎ “Yourself, Other/s, and Other Other/s" - workshop, 
Improper Walls, Vienna, AT.

︎︎︎ "Big Blue" - exhibition by MA Transdisziplinarität, Toni Areal, 
Zürich, CH.


︎︎︎ “Rhapsody of Relations" - workshop, 421 Art Campus, Abu Dhabi, UAE.


︎︎︎ “Tender Ties: Lovers &#38;amp; Friends" - group exhibition, Das T/abor, Vienna, AT.


︎︎︎ “Network Culture" - group exhibition, 421 Art Campus, Abu Dhabi, UAE.


2023


︎︎︎ 

“Missile" - group exhibition by Medrar for Contemporary Art, Cairo, EG.


︎︎︎ 

“Furka Pass" - exhibition by MA Transdisziplinarität, Toni Areal, 
Zürich, CH.

︎︎︎ 

“Hotel Tiger" - performance and art resort, Zürich, CH.


︎︎︎ 


“Machi Mashy" - duo performance, Dar el Kitab, Casablanca, MA.

︎︎︎ 

“The Portal" - exhibition as Machi Mashy, Dar el Kitab, Casablanca, MA.


︎︎︎ 

“Roznama 9" - ARD Art Institution and Medrar, Cairo, EG.


︎︎︎ 

“In the Inner Bark of Trees" - as Machi Mashy, Archive Berlin, DE.


︎︎︎ 

“How to Love Many in Many Ways" - 

Oerlikon Traumhaus, 

Zürich, CH.


︎︎︎ 


“How to Love Many in Many Ways" - Zentralwäscherei, Zürich, CH. 


︎︎︎ 


“Neubau Tropeninstitut" - Rhythmus Messy Cambio, Basel, CH.


︎︎︎ 


“Rehearsing Horizontalities" - Proto-Club4, Shedhalle, Zürich, CH. 


︎︎︎ 


“Pending" - installation and discussion, Blackbox Zürich, CH. 


︎︎︎ 


“Machi Mashy: A H(ij)acked Tongue” - LE 18, Marrakech, MA.

︎︎︎ “Machi Mashy: A H(ij)acked Tongue” - Wekalet Behna, Alexandria, EG.


2022

︎︎︎ “How to Love Many in Many Ways” - Iron Velvet Gallery, New York, USA.

︎︎︎ “Cairo Prints Exhibition - Edition III” - Cairopolitan, Cairo, EG.


︎︎︎ “Radical Projects! The Classroom &#38;amp; Beyond” - Tasmeem Doha, VCUarts, QA.


︎︎︎ “Longing for Community” - curated by Aline Lenzhofer, fluc + fluc, AT.

︎︎︎ “Machi Mashy: A H(ij)acked Tongue” - listening session with Soukaina Joual.
︎︎︎ “100 Best Arabic Posters” - Saudi Design Festival (SA), 

Bibliotheca Alexandrina (EG), 
Birzeit University (PS).


2021

︎︎︎ “Art as Connection” - with Mohamed Abdelkarim, Kunsthaus Aargau, CH.


︎︎︎ “Bad Mother” - with Rania Atef, About Us! Festival, 

Zürich, CH.


︎︎︎ “Embodied Encounters” - with Shahd Omar, Blackbox Zürich, CH.


︎︎︎ “But these forms need to be created” - Khalil Sakakini Center, Ramallah, PS.


︎︎︎ “Remote Closeness” - 

Jordan National Gallery of Fine Arts, Amman, JO.


︎︎︎ “Notes on Collaboration” - Contemporary Image Collective, Cairo, EG.


︎︎︎ “Shish Bish” - Game-based exhibition

 by Medrar and Makouk, Cairo, EG.


︎︎︎ “Cairo Prints Exhibition - Edition II” - Cairopolitan, Institut français d'Égypte.


︎︎︎ “100 Best Arabic Posters” - Tahrir Cultural Center (EG), Warehouse421 (UAE), and Cultuurcentrum Ter Dilft (BE).


2020 


︎︎︎ “Open Studios” - Artists for Artists IG takeover with Gabriel Hensche, DE.


︎︎︎

 “Lichtblick” - Kunsthalle am Hamburger Platz, Berlin, DE.


︎︎︎

"Quarantine: A Capsule" - film by Rozeen Bisharat, FilmLab Palestine, DE/PS.


︎︎︎

 “With Doors Closed, Artists Go Viral” - Medrar, Cairo, EG/online.

︎︎︎

 “The Artist at Work” - Khalil Sakakini Cultural Center, Ramallah, PS.

︎︎︎

 “No ISBN” - project by 

Bernhard Cella, MMAG Foundation, Amman, JO.


2019 


︎︎︎

 
“No ISBN” - 

project

by 

Bernhard Cella,

Warehouse421, Abu Dhabi, UAE. 

︎︎︎

 “End of Year Exhibition” - MASS Alexandria, EG.

︎︎︎

 
“No ISBN” - 

project

by 

Bernhard Cella,

Beirut Art Centre, Beirut, LB.

︎︎︎

 “The Other Side of the Sea” - performance with Alia Farid, Alexandria, EG.

︎︎︎

 “Roznama 7” - Townhouse Gallery, Cairo, EG.


2018


︎︎︎

 “More Stories” - Cairo Photo Week, EG.

︎︎︎

 “Waiting” - Cavafy Museum with 

Laima Kreivyte, by MASS Alexandria, EG.

︎︎︎

 “The Act of Conversing in a Space that Remembers” - Roznama Studio, EG.

︎︎︎

 “Robabecciah: The Informal City” - Egyptian National Pavilion, 16th Venice 


Biennale of 

Architecture, Venice, IT.


2017


︎︎︎ “Naeema’s Office is Bleeding” - Medrar for Contemporary Art, Cairo, EG.


︎︎︎

 “Mahmoud Kahil Award Exhibition” - American University in Beirut, LB.


2016


︎︎︎

 “Out of the Fridge 3” - 3rd Koshk Stand, American University in Cairo, EG.

︎︎︎

 “27th Youth Salon” - Palace of Arts, Cairo, EG.

︎︎︎

 “Shamareekh” - CairoComix Festival, American University in Cairo, EG.

︎︎︎

 “CairoSaturdayWalks” - the Egyptian Cultural Centre in London, UK.

︎︎︎

 “Metre x Metre: a free space for creativity” - Bibliotheca Alexandria, EG.

︎︎︎

 “CairoSaturdayWalks” - Photopia and Makan, Cairo, EG.


2015


︎︎︎

 “Dutch Houses” - The Netherlands-Flemish Institute in Cairo (NVIC), EG.︎︎︎

 “25th Youth Salon” - Palace of Arts, Cairo, EG.
︎︎︎ “Frozen in Time” - Photopia, Cairo, EG.

Press


︎︎︎ 2025 - “Im MASTER Transdisziplinarität ist jede:r der Außenseiter," ZHdK CH.&#38;nbsp;

︎︎︎ 2025 - 

Breaking through the stalemate in the student movement for Palestine, opinion piece, Mondoweiss, 2025.


︎︎︎ 2025 - 

Cairo, where the road to Gaza ends, opinion piece, Mada Masr, 2025.


︎︎︎ 2024

- “Eine wertvolle Form des Chaos”&#38;nbsp;ZETT Magazin, ZHdK, CH. (DE/EN)


︎︎︎ 2024 - “Le Portail”, Diptyk #66, review by Olivier Rachet, MA. (FR)


︎︎︎ 2023 - “Mosquitoes &#38;amp; Other Thieves in the Tropical Institute”, OOO, CH. (DE)

︎︎︎ 2023 - “Joual and Al-Abyad: Closeness to the Body”, Anfas Press, MA. (AR)

︎︎︎ 2023 - “Engy Mohsen”, Seen Magazine, Interview by Mai El Gabry, EG.


︎︎︎ 2022 - “Engy Mohsen”, Turntables directory, artlink, CH.


︎︎︎ 2022 - “Artist Spotlight with Engy Mohsen”, Interview by ArteEast.

︎︎︎ 2022 - “Notes on Collaboration”, Interview by Medrar TV, EG.


︎︎︎ 2022 - “A Game is a Great Excuse”, Interview by C. Neugebauer &#38;amp; N. Unfer.

︎︎︎ 2021 - “How To Love Many In Many Ways”, Fabrikzeitung, CH.︎︎︎ 2020 - “AfA Open Studios Week 6”, 
In conversation with Georgia Kotretsos. ︎︎︎ 2020 - “Systems of Subtleties”, by Ash Moniz, Mada Masr, EG.︎︎︎ 2019 - “Roznama 6 Studio Program”, Public Discussions, MedrarTV, EG.︎︎︎ 2018 - Art Alert: Performance Art at Roznama Studio, Ahram Online, EG.
Homepage: Ebrahim Bahaa El-Din (2022)

</description>
		
	</item>
		
		
	<item>
		<title>Artist Statement</title>
				
		<link>https://engymohsen.com/Artist-Statement</link>

		<pubDate>Sun, 04 Oct 2020 22:32:07 +0000</pubDate>

		<dc:creator>Engy Mohsen </dc:creator>

		<guid isPermaLink="true">https://engymohsen.com/Artist-Statement</guid>

		<description>


Artist Statement (2021)


Throughout my body of work, I am interested in the discourse around socially-engaged practices. While I navigate the overlap between art and architecture, spatial design remains front and center in my practice.

The tendency to ‘include the other’ is evidently informed by my practice of architecture, as it embraces scenarios that think of how a space can be best designed to accommodate its inhabitants.  Next to that, I work with conversation as a medium, text, drawing, and photography while borrowing the tools of performative research. 
Being part of independent programs of art education and pedagogical spaces pushed me to define, reshape, articulate, and situate my practice while still maintaining creative exploration. That allowed me to later on experiment with designing and hosting formats that invite non-artists and artists to produce knowledge about the connection between artists and their immediate context. This opened up a lot of questions about the organization of spaces for art practice, research and education. My work explores different modes of participation, factors that impact social gatherings and their capacity for collective knowledge-making, and how to allow for conversations to unfold. Through looking into said spatial typologies, I try to rethink existing models of meeting, while playing around with scenography, seating arrangements and venues of meeting. 
My work aspires to design situations and to plan experiences that perform social dreaming and actions. I consider myself to be someone who is dependant on working with others, leaning towards collaborative processes whenever I can.


My early works explored ways of how conversations that happen through casual encounters can create a physical space or an image of one. Then, I shifted positions to explore the capacity of space to let conversations unravel. The work, therefore, continues to foster an interest in the tension between spaces and conversations, and how one can lead to the creation and shaping of the other.&#38;nbsp;

</description>
		
	</item>
		
		
	<item>
		<title>Contact</title>
				
		<link>https://engymohsen.com/Contact</link>

		<pubDate>Thu, 31 Dec 2020 18:38:48 +0000</pubDate>

		<dc:creator>Engy Mohsen </dc:creator>

		<guid isPermaLink="true">https://engymohsen.com/Contact</guid>

		<description>


Social Media
︎︎︎&#38;nbsp; Instagram &#38;nbsp;︎︎︎&#38;nbsp; Facebook

︎︎︎&#38;nbsp; Vimeo&#38;nbsp; 


Jump to
︎︎︎&#38;nbsp; CV.pdf


︎︎︎&#38;nbsp;  Portfolio.pdf

︎︎︎&#38;nbsp; Design works


︎︎︎&#38;nbsp; K-oh-llective


︎︎︎&#38;nbsp; Machi Mashy
Get in touch!︎︎︎&#38;nbsp; Email

	
&#60;img width="1568" height="1950" width_o="1568" height_o="1950" data-src="https://freight.cargo.site/t/original/i/7947075ca581755adc96aff685b53a558f8238d326c846fd001ba94724014f06/print1-239---JPG.jpg" data-mid="142687762" border="0"  src="https://freight.cargo.site/w/1000/i/7947075ca581755adc96aff685b53a558f8238d326c846fd001ba94724014f06/print1-239---JPG.jpg" /&#62;


© 2022 Engy Mohsen


Photo: Ebrahim Bahaa El-Din, Studio Srilanka, Cairo. (2022)


</description>
		
	</item>
		
		
	<item>
		<title>Machi Mashy: A H(ij)acked Tongue</title>
				
		<link>https://engymohsen.com/Machi-Mashy-A-H-ij-acked-Tongue</link>

		<pubDate>Wed, 23 Feb 2022 23:58:46 +0000</pubDate>

		<dc:creator>Engy Mohsen </dc:creator>

		<guid isPermaLink="true">https://engymohsen.com/Machi-Mashy-A-H-ij-acked-Tongue</guid>

		<description>


Machi Mashy: A H(ij)acked Tongue


︎︎︎ ︎︎︎


&#38;nbsp;2022/ Online Exhibition &#38;amp; Billboards

In collaboration with Soukaina Joual, curated by Aline Lenzhofer

︎

philomena+ and fluc + fluc wanne, Vienna


Machi Mashy is a project that focuses on the use of the Arabic language, dialects and colloquials as a medium and the subject matter. 

 
For its second articulation, Machi Mashy was exhibitied as part of “Longing for Community”, 

an online and offline exhibition offering many positions to find a common language and sounds of togetherness. 

Curated by Aline Lenzhofer, the text is published online, alongside a billboard presentation at fluc + fluc wanne in Vienna and an online listening session. Triggered by a shared interest in T/rap music from North Africa and the Levant, the two artists explore street slang and urban language drawn from some tracks.&#38;nbsp;


The project is supported by Mophradat and AFAC. “Longing for Community” is a philomena+ project in collaboration with fluc + fluc wanne, supported by the city of Vienna. Photo credits:

 Kosta Tonev.


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="3931" height="5897" width_o="3931" height_o="5897" data-src="https://freight.cargo.site/t/original/i/51f8b7b9af9a062b0bfddd6daea032b5617ae09c784de4061071d63a57af64d4/Longing_for_Community-21.jpg" data-mid="138414033" border="0" data-scale="64" data-no-zoom src="https://freight.cargo.site/w/1000/i/51f8b7b9af9a062b0bfddd6daea032b5617ae09c784de4061071d63a57af64d4/Longing_for_Community-21.jpg" /&#62;


&#60;img width="1919" height="942" width_o="1919" height_o="942" data-src="https://freight.cargo.site/t/original/i/dd7d8144f70918d5aa219b933b5b627d5e935ba2d72a1740910c07763d7c0c01/Screenshot-2299_S.jpg" data-mid="144292408" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/dd7d8144f70918d5aa219b933b5b627d5e935ba2d72a1740910c07763d7c0c01/Screenshot-2299_S.jpg" /&#62;

	&#60;img width="800" height="800" width_o="800" height_o="800" data-src="https://freight.cargo.site/t/original/i/e959d90d0da263c7acd275759174d92a0f71b5a5745e94d9ef8ad74617ee8d03/GIF_Fig.-1.gif" data-mid="138415118" border="0" data-no-zoom src="https://freight.cargo.site/w/800/i/e959d90d0da263c7acd275759174d92a0f71b5a5745e94d9ef8ad74617ee8d03/GIF_Fig.-1.gif" /&#62;
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	&#60;img width="758" height="843" width_o="758" height_o="843" data-src="https://freight.cargo.site/t/original/i/3b9142e0928b23d6e75909543a1b8635676fd2381695a8a4d1fe17ebabc10bf6/GIF_Fig.-4.gif" data-mid="138415157" border="0" data-scale="90" data-no-zoom src="https://freight.cargo.site/w/758/i/3b9142e0928b23d6e75909543a1b8635676fd2381695a8a4d1fe17ebabc10bf6/GIF_Fig.-4.gif" /&#62;

[Fig. 1] The use of ‘Habibi’ in the Arabic song[Fig. 2] Combined words in the Arabic Language[Fig. 3] Machi Mashy, Or In Other Words Not Working[Fig. 4] Question words in Moroccan, Classical and Egyptian Arabic


Playlist I: Machi Mashy (online)
	

Playlist II: Machi Mashy (fluc + fluc wanne]


&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/6f0504b1c299261638deaf8d3a045c628eefab862af8546a8b35e020809ed0ad/Longing_for_Community_lowres-15.jpg" data-mid="134497095" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/6f0504b1c299261638deaf8d3a045c628eefab862af8546a8b35e020809ed0ad/Longing_for_Community_lowres-15.jpg" /&#62;
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Billboards at fluc + fluc wanne, photos by Kosta Tonev


	&#60;img width="5370" height="9331" width_o="5370" height_o="9331" data-src="https://freight.cargo.site/t/original/i/e02d4fa1ce0d9953ab585fc70423695239bd1950360aaa28e5174e14d79d235e/MachiMashy_Fluc-Billboard-3.jpg" data-mid="138416054" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/e02d4fa1ce0d9953ab585fc70423695239bd1950360aaa28e5174e14d79d235e/MachiMashy_Fluc-Billboard-3.jpg" /&#62;
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Poster design by Engy Mohsen


	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c043fb375cd1b9e2d21b107e6199adad076d9654e54f9c8d1f565f0be67b6278/Screenshot-1776.png" data-mid="139172197" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/c043fb375cd1b9e2d21b107e6199adad076d9654e54f9c8d1f565f0be67b6278/Screenshot-1776.png" /&#62;

Screenshot from the listening session Machi Mashy: A H(ij)acked Tongue


	Wednesday, 23 February, 2022, 7 pm (CET), Online&#38;nbsp;
In an attempt to analyze the diversity of the Arabic language and its borders, the artists invite you to a listetning session to discover different expressions in Moroccan Darija and Egyptian Aameya. They weave the tracks of Madd, Small X, Abyusif, MOUSV, Fawzi and Shabjdeed –among others– into their own reflections on language and their different dialects.

	
</description>
		
	</item>
		
		
	<item>
		<title>Machi Mashy: Art Work</title>
				
		<link>https://engymohsen.com/Machi-Mashy-Art-Work</link>

		<pubDate>Sun, 17 Oct 2021 15:28:35 +0000</pubDate>

		<dc:creator>Engy Mohsen </dc:creator>

		<guid isPermaLink="true">https://engymohsen.com/Machi-Mashy-Art-Work</guid>

		<description>


Machi Mashy: Art Work


︎︎︎ ︎︎︎


 2021 - 2022/ Publication

In collaboration with Soukaina Joual

︎

Khalil Sakakini Cultural Centre, Ramallah


Machi Mashy, or in other words “Not Working” focuses on the use of language, dialects and colloquialism as a medium and the subject matter. Despite their differences, Arabic dialects essentially grew from the same soil, Classical Arabic, yet each dialect can sound as foreign as another language altogether to an untrained ear. And so, a bridge can be created to enable a cross-dialogue between artists (and other speakers) from Arabic-speaking lands.

When put in situations that require us to talk about our work, we would usually shift between Arabic and English/French when it comes to specific terminology (Art Speak). That is not because the ِArabic language lacks this terminology in any way, quite the contrary. It is because our occupied tongues are not exposed to those terms in Arabic as much, and so they’re not as easily exchanged and circulated in casual conversations with our peers. 
 
Machi Mashy was exhibited as part of “But these forms need to be created”, at Khalil Sakakini Cultural Centre, Ramallah (PA), curated by Adele Jarrar. This articulation included a selection of terms related to individuals who engage in collaborative art practices. Departing from “Art-Work”, words in Classical Arabic are dissected then their derivatives are reexamined through three dialects; Moroccan, Egyptian, and Palestinian. Parallel to this, Mohamed Abdelkarim reflects on the linguistic perceptions between “The Institution” and “The Intellectual” in the political/cultural field. Design by Mooni Studio.&#38;nbsp;

 The project is supported by Mophradat and AFAC. The exhibition at KSCC is supported 

by the A.M Qattan Foundation, through the ‘Visual Arts: A Flourishing Field’ (VAFF) Project, funded by Sweden. Photo credits: Tamara Saif.


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;


&#60;img width="2821" height="3761" width_o="2821" height_o="3761" data-src="https://freight.cargo.site/t/original/i/47a77937d402ef81f214f5f837bf4b0819b57aa8e4dddf14f126c19a14cfe6bb/IMG_7169.jpg" data-mid="121834483" border="0" data-scale="64" data-no-zoom src="https://freight.cargo.site/w/1000/i/47a77937d402ef81f214f5f837bf4b0819b57aa8e4dddf14f126c19a14cfe6bb/IMG_7169.jpg" /&#62;


&#60;img width="1080" height="810" width_o="1080" height_o="810" data-src="https://freight.cargo.site/t/original/i/b18821148b28eb10e84d08d8f01bfa641093f79f05d598be0fd6451b3c17d1a4/235877124_422045092491119_1409545067029165186_n.jpg" data-mid="121835168" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/b18821148b28eb10e84d08d8f01bfa641093f79f05d598be0fd6451b3c17d1a4/235877124_422045092491119_1409545067029165186_n.jpg" /&#62;
&#60;img width="799" height="1080" width_o="799" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f31a9a41494c4529230cc8570937841888f8bda4e8c098e414d25a6cea792617/241312995_4550709788362395_1034945811262418940_n.jpg" data-mid="121835232" border="0" data-scale="100" data-no-zoom src="https://freight.cargo.site/w/799/i/f31a9a41494c4529230cc8570937841888f8bda4e8c098e414d25a6cea792617/241312995_4550709788362395_1034945811262418940_n.jpg" /&#62;

Installation views, Khalil Sakakini Cultural Centre, Ramallah (2021)


	&#60;img width="811" height="1080" width_o="811" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2a0e72732161cb52d83683b4fc60af9366e914e7e895432694c4580fe78d5494/241444575_2629902283981038_5256203373103852870_n.jpg" data-mid="121835164" border="0" data-no-zoom src="https://freight.cargo.site/w/811/i/2a0e72732161cb52d83683b4fc60af9366e914e7e895432694c4580fe78d5494/241444575_2629902283981038_5256203373103852870_n.jpg" /&#62;

Mohamed Abdelkarim reflects on the linguistic perceptions between “The Institution” and “The Intellectual” in the political/cultural field.


ا”ماشي ماشي“: أو بعبارة أخرى ”لا يعمل“ هو مشروع يركز على استخدام اللغة واللهجات العامية كوسيط وموضوع. على الرغم من اختلافاتهم، ترعرعت اللهجات العربية أساسًا من نفس التربة وهي العربية الفصحى، ومع ذلك قد تبدو كل لهجة كلغة أجنبية تمامًا للأذن غير المدربة. ولهذا، يمكن إنشاء جسر لتمكين الحوار المتبادل بين الفنانين (والمتحدثين الآخرين) من البلدان الناطقة باللغة العربية.ا

عندما نجد أنفسنا في موقف يتطلب منا التحدث عن عملنا، فعادة ما نتناوب بين استخدام العربية والإنجليزية أو الفرنسية عندما يتعلق الأمر بمصطلحات معينة (لغة الفن). هذا ليس لأن اللغة العربية تفتقر إلى هذه المصطلحات بأي شكل من الأشكال، بل على العكس تمامًا. ذلك لأن ألسنتنا المحتلة لا تتعرض لتلك المصطلحات باللغة العربية بنفس القدر، وبالتالي لا يتم تبادلها وتداولها بسهولة عندما ندردش مع أقراننا.ا


&#60;img width="1080" height="874" width_o="1080" height_o="874" data-src="https://freight.cargo.site/t/original/i/0cb8f5b5459f90acd17438f2b87326e16d1c3b52904f8b754ad96f4040ba2404/241179078_407898850681767_2501753099579299875_n.jpg" data-mid="121835219" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/0cb8f5b5459f90acd17438f2b87326e16d1c3b52904f8b754ad96f4040ba2404/241179078_407898850681767_2501753099579299875_n.jpg" /&#62;

Design by Mooni Studio


&#60;img width="1023" height="762" width_o="1023" height_o="762" data-src="https://freight.cargo.site/t/original/i/51b64898ab35db4546566657fcf48b149b7778d44e236f2d4d0c545189255b7b/241390949_236709041715777_7250201787160779498_n.jpg" data-mid="121835447" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/51b64898ab35db4546566657fcf48b149b7778d44e236f2d4d0c545189255b7b/241390949_236709041715777_7250201787160779498_n.jpg" /&#62;


&#60;img width="1023" height="762" width_o="1023" height_o="762" data-src="https://freight.cargo.site/t/original/i/5b69df5f54633b5217a5696820fb22f1adfadbfce23ad377b91f1c8a18df7c0a/241390899_1263774750749691_3583644201533646122_n.jpg" data-mid="121835448" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/5b69df5f54633b5217a5696820fb22f1adfadbfce23ad377b91f1c8a18df7c0a/241390899_1263774750749691_3583644201533646122_n.jpg" /&#62;


&#60;img width="1023" height="762" width_o="1023" height_o="762" data-src="https://freight.cargo.site/t/original/i/b8bcf73f9d189b5c61401cd8ae8f93d834cc1af4ee6c7994c147394d5339f75e/241432047_534855477602438_698467069611884402_n.jpg" data-mid="121835476" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/b8bcf73f9d189b5c61401cd8ae8f93d834cc1af4ee6c7994c147394d5339f75e/241432047_534855477602438_698467069611884402_n.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>How To Love Many</title>
				
		<link>https://engymohsen.com/How-To-Love-Many</link>

		<pubDate>Tue, 03 Aug 2021 22:58:29 +0000</pubDate>

		<dc:creator>Engy Mohsen </dc:creator>

		<guid isPermaLink="true">https://engymohsen.com/How-To-Love-Many</guid>

		<description>


How To Love Many In Many Ways


︎︎︎ ︎︎︎


 2021/ A Collection of Games + Exercises

In collaboration with Gabriel Hensche, edited by Ismail Fayed, visual identity by Engy Aly.&#38;nbsp;


Based on the assumption that one can intentionally perform falling in love (and subsequently fall out of love as well), artists Engy Mohsen and Gabriel Hensche 

invited others to develop a game or exercise to respond to the question: How to Love Many in Many Ways?


 Nine contributors responded to that question with game + exercises ranging from the artistic, to the scientific, the somatic and the satirical;

Eliana Otta, Eleonora Toniolo,&#38;nbsp;Ingo Niermann (The Army of Love), Mohamed Al-Bakeri, Petra Mrša, Philip Ullrich,&#38;nbsp;Rania Atef, Raúl Hott, Shahd Omar.
 
During her studio residency

at Rote Fabrik, Engy organised various moments to play/test/encounter the games with others 

in Zürich, stemming from a belief that this question can only be addressed collectively.The project is currently still in the works, with a few of games having been tested and played. The intention is to publish a beta version of all nine positions (games + exercises) online, to follow the logic of print/play at home. 


The project started out during the Homebound Residency (2020) by Warehouse421 and continued further during the Pro Helvetia Studio Residency at Rote Fabrik (2021), and will be part of School of Commons (2022). Thanks to Maha Maamoun and Tara Lasrado who provided mentorship and guidance throughout both residencies. Photo credits: 
Clara Neugebauer. Video interview: 
Clara Neugebauer &#38;amp; 

Nicola Unfer for MAZ Luzern.


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 


&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/0a7f7da82716aad7f91adee94f063d6851233b5407c10cc21101326ea500213f/_W3A5979_.jpg" data-mid="121826583" border="0" data-scale="64" data-no-zoom src="https://freight.cargo.site/w/1000/i/0a7f7da82716aad7f91adee94f063d6851233b5407c10cc21101326ea500213f/_W3A5979_.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 


&#38;nbsp;


	&#60;img width="3680" height="5520" width_o="3680" height_o="5520" data-src="https://freight.cargo.site/t/original/i/7ddda29101c69b267b24b3c634f24655564db3816214b674c2d5636c282fa83c/_DSC7418-2.jpg" data-mid="144665703" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/7ddda29101c69b267b24b3c634f24655564db3816214b674c2d5636c282fa83c/_DSC7418-2.jpg" /&#62;
	&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/ea575a4751fdb966db54c6a498bfa5a81e7d54e525cf0c9cbebe2259b4be0d31/_W3A5968.JPG" data-mid="144665705" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/ea575a4751fdb966db54c6a498bfa5a81e7d54e525cf0c9cbebe2259b4be0d31/_W3A5968.JPG" /&#62;
	&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/c8fe6c658a402b1ae8ea19f8796af03c1a5791aabb2a3a28a423b2c64945233e/_W3A5964.JPG" data-mid="144665707" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/c8fe6c658a402b1ae8ea19f8796af03c1a5791aabb2a3a28a423b2c64945233e/_W3A5964.JPG" /&#62;
	&#60;img width="3680" height="5520" width_o="3680" height_o="5520" data-src="https://freight.cargo.site/t/original/i/b0500cf5bbcaea2389072558aadae0e54864ee5d67e5749cb262f2e759ed8855/_DSC7363-2.jpg" data-mid="144665708" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/b0500cf5bbcaea2389072558aadae0e54864ee5d67e5749cb262f2e759ed8855/_DSC7363-2.jpg" /&#62;


&#60;img width="6857" height="4912" width_o="6857" height_o="4912" data-src="https://freight.cargo.site/t/original/i/6bfd64f8ea3274e6f27633373d79921ed80a4e064f27b36eb68adfa6a4385be9/_DSC7670.jpg" data-mid="121826733" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/6bfd64f8ea3274e6f27633373d79921ed80a4e064f27b36eb68adfa6a4385be9/_DSC7670.jpg" /&#62;


&#60;img width="4912" height="7360" width_o="4912" height_o="7360" data-src="https://freight.cargo.site/t/original/i/39721ca072c22ac1942835ad4301eb851f6b719bef7534ff71602cb9b1d917d7/_DSC7753.jpg" data-mid="121826745" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/39721ca072c22ac1942835ad4301eb851f6b719bef7534ff71602cb9b1d917d7/_DSC7753.jpg" /&#62;
	

&#60;img width="7360" height="4912" width_o="7360" height_o="4912" data-src="https://freight.cargo.site/t/original/i/be4e62aae13a33960dca88895481c4796226b826b66976084d4d9d9040e64efb/_DSC7679.jpg" data-mid="121826758" border="0" data-scale="81" data-no-zoom src="https://freight.cargo.site/w/1000/i/be4e62aae13a33960dca88895481c4796226b826b66976084d4d9d9040e64efb/_DSC7679.jpg" /&#62;


How to Love Many in Many Ways by Engy Mohsen and Gabriel Hensche. The titular game includes
a set of questions paired with rituals that invite you to care for the self, connect with others, and be more attentive to more-than-humans in your surroundings.

Embodied Encounters by Shahd Omar. Exercises that playfully attempt to redefine consent as the process of establishing agreements, and how to communicate them beyond verbal exchanges.


Bad Mother by Rania Atef. A
card game that critically —and most importantly satirically—scrutinizes the societal gaze for maternal love and domestic labor as well as the criterion of a ‘Good Mother’. 

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/a38018b0e57abdb2aefad62dd44c6dabd0bc1d780e400fc3e2dc9301e8e436a2/IMG_9958.jpg" data-mid="121827184" border="0" data-scale="100" data-no-zoom src="https://freight.cargo.site/w/1000/i/a38018b0e57abdb2aefad62dd44c6dabd0bc1d780e400fc3e2dc9301e8e436a2/IMG_9958.jpg" /&#62;


	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/388c7f4fdc7095b15f2fd04cb11b022480d296437b5da14c6b76cbc664086f8a/IMG_0130.jpg" data-mid="121826859" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/388c7f4fdc7095b15f2fd04cb11b022480d296437b5da14c6b76cbc664086f8a/IMG_0130.jpg" /&#62;


Take That Loving Grace by Philip Ullrich. One player acts as a ‘machine’, following predetermined instructions. The ‘human’ player is much more fickle, but if they do
everything right, the machine will go down. Two opposites meet, the power balance is off—a reason to love?


	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/b65b07ab1a6ac725edf0b58055b0781288a1fdd1ba6b9174e3e8274fddbe5617/IMG_7680.jpg" data-mid="121826901" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/b65b07ab1a6ac725edf0b58055b0781288a1fdd1ba6b9174e3e8274fddbe5617/IMG_7680.jpg" /&#62;
	Falling in Love with the World by Ingo Niermann (The Army of Love). An 

exercise that directs the group to overcome a said aversion and extend notions of love and care to others or objects. 

Rehearsing Horizontalities by Eliana Otta. A 

set of exercises to create scenarios where players re-examine their relationship with others by playing with their spatial, choreographic and acoustic awareness, all while maintaining a ‘Horizontality Pact’. 

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/82f86aad71ebe2808ec2364342fa4cd4de9d6b182e206021c3bc9f9175670406/IMG_0123.jpg" data-mid="121827439" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/82f86aad71ebe2808ec2364342fa4cd4de9d6b182e206021c3bc9f9175670406/IMG_0123.jpg" /&#62;
Shivering Throats, Breaking Walls by 
Petra Mrša. A listenting exercise that plays on alternative notions of intimacy and encounter, ideas of presence and absence and unconventional modes of communication and exchange. 

 Total Body (Radiance) 
by Raúl Hott. An exercise that 

invites you to understand radiance, experiencing new ways of relating to affect, affection, and to interact with all living beings. This experience is also an invitation to re-connect with our planet.


	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/ee618625e1a23424f9c481c0e29b57d72fe6154840dc99225fb3cfefbb244ea9/IMG_0128.jpg" data-mid="121826921" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/ee618625e1a23424f9c481c0e29b57d72fe6154840dc99225fb3cfefbb244ea9/IMG_0128.jpg" /&#62;
	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/059d2938879c41f6fb6d22dde800e5d3587a01751cba9e4d646592c37142b3f7/Thing-We-Do-for-Love-by-Mohamed-Al-Bakeri-Photo-Credits_Engy-Mohsen.jpg" data-mid="121826919" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/059d2938879c41f6fb6d22dde800e5d3587a01751cba9e4d646592c37142b3f7/Thing-We-Do-for-Love-by-Mohamed-Al-Bakeri-Photo-Credits_Engy-Mohsen.jpg" /&#62;The Things You Do for Love by Mohamed Al Bakeri. 

A board game that invites players to think of love as a material need and/or commodity, while navigating the world of online dating. 


</description>
		
	</item>
		
		
	<item>
		<title>Notes on Collaboration</title>
				
		<link>https://engymohsen.com/Notes-on-Collaboration-1</link>

		<pubDate>Sun, 17 Oct 2021 14:46:21 +0000</pubDate>

		<dc:creator>Engy Mohsen </dc:creator>

		<guid isPermaLink="true">https://engymohsen.com/Notes-on-Collaboration-1</guid>

		<description>


Notes on Collaboration


︎︎︎ 

︎︎︎


&#38;nbsp;2021/ Publication (Out of Print)


 Edited by Mai El Wakil, Curated by Engy Mohsen ︎ View the exhibition online&#38;nbsp; 


Notes on Collaboration is a publication with curated personal responses to an invitation to think about the notion of togetherness and collaboration in an expanded sense. Each of the authors come from a different artistic discipline, yet all work with collaborative practices which allowed them to engage with the subject differently, sharing propositional or reflexive stances on past choices, faults, and doubts, to engage you with their thought process.


Notes on Collaboration includes a personal essay, a manifesto, a conversation, an open letter and a two-player board game.
With texts from 

Rana Ashraf, Dina Jereidini, Omar Kassab, Engy Mohsen, and Qaaf Laam Collective and further contributions by Sherifa Hamid and Ahmed Morsi, Ma Yo with an excerpt from Hal Foster and Josh Winfield. A guest performance by Mariam Azmy. Design by Engy Mohsen and Youssef Salah. Photography by Eslam Abd El Salam.&#38;nbsp;


(1) Remembering Flags 
(2) Nine People You’ve Probably Worked With Before 
(3) Co-working on Co-working 
(4) Why do we form collectives? 
(5) On Creative Togetherness
 

︎︎︎ Download PublicationPrinted in Cairo. Limited edition of 300 (Out of Print)This project was made possible through the support of the Parallel Sphere program by the Swiss Arts Council - Pro Helvetia Cairo (EG), the Project Revival Fund by Warehouse421 (UAE) and Art Jameel Research and Practice Platform by Jameel Arts Centre (UAE).


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 


&#60;img width="1232" height="2109" width_o="1232" height_o="2109" data-src="https://freight.cargo.site/t/original/i/36960be5f6287ea681eb511eb671f19e55658e7a49cd460f120aba2b11355180/Notes-on-Collaboration_A.png" data-mid="121823556" border="0" data-scale="64" data-no-zoom src="https://freight.cargo.site/w/1000/i/36960be5f6287ea681eb511eb671f19e55658e7a49cd460f120aba2b11355180/Notes-on-Collaboration_A.png" /&#62;


(1) Remembering Flags by Dina Jereidini

&#60;img width="4295" height="3264" width_o="4295" height_o="3264" data-src="https://freight.cargo.site/t/original/i/3f65123d167328d02d06ed2213ca2282586db1c0ea143e6cb07945812d9bac23/DSCF0246---Copy.JPG" data-mid="121823852" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/3f65123d167328d02d06ed2213ca2282586db1c0ea143e6cb07945812d9bac23/DSCF0246---Copy.JPG" /&#62;

&#60;img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/9195a4da6507a43552c9efb94c0a7a4d4a65cc8afad3c2b3f1803e4b05c5013a/DSCF0242.JPG" data-mid="121823891" border="0" data-scale="86" data-no-zoom src="https://freight.cargo.site/w/1000/i/9195a4da6507a43552c9efb94c0a7a4d4a65cc8afad3c2b3f1803e4b05c5013a/DSCF0242.JPG" /&#62;

	
&#60;img width="1376" height="1056" width_o="1376" height_o="1056" data-src="https://freight.cargo.site/t/original/i/a1831cf120ecb9abd8ded2a793c029b9bd9e78e1caee449f6c7cc0087b97ada1/IMG_5732.JPG" data-mid="121883613" border="0" data-scale="78" data-no-zoom src="https://freight.cargo.site/w/1000/i/a1831cf120ecb9abd8ded2a793c029b9bd9e78e1caee449f6c7cc0087b97ada1/IMG_5732.JPG" /&#62;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/15225c17223e09feb4c7db664f332d6d310c789544b1481ba131fcf8fb14c205/_MG_6315_.jpg" data-mid="121884367" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/15225c17223e09feb4c7db664f332d6d310c789544b1481ba131fcf8fb14c205/_MG_6315_.jpg" /&#62;


(2) Nine People You’ve Probably Worked With Before by Dina Jereidini and Engy Mohsen
&#60;img width="4896" height="3264" width_o="4896" height_o="3264" data-src="https://freight.cargo.site/t/original/i/342f9216ed62f9c7ea2fae6e0b3d90e88bb08b1049dc508d056745c64732c81c/DSCF0090.JPG" data-mid="121884950" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/342f9216ed62f9c7ea2fae6e0b3d90e88bb08b1049dc508d056745c64732c81c/DSCF0090.JPG" /&#62;

	&#60;img width="2274" height="3862" width_o="2274" height_o="3862" data-src="https://freight.cargo.site/t/original/i/e721469cfff1d9955ac9057417c4c869f885e76f31ed8aa16ad40095f99ec0f0/Free-Paper-Mockups.jpg" data-mid="121825078" border="0" data-scale="89" data-no-zoom src="https://freight.cargo.site/w/1000/i/e721469cfff1d9955ac9057417c4c869f885e76f31ed8aa16ad40095f99ec0f0/Free-Paper-Mockups.jpg" /&#62;


&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/db87e65a799e8b0552d5f5f616a55141e83a83996fc0d3854484a424a9bbe193/_MG_6302.JPG" data-mid="121885171" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/db87e65a799e8b0552d5f5f616a55141e83a83996fc0d3854484a424a9bbe193/_MG_6302.JPG" /&#62;


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="5056" height="3960" width_o="5056" height_o="3960" data-src="https://freight.cargo.site/t/original/i/4ea8725188b50a7cd7d80b975e22f9d01da159ae228c938fca6eea8341201101/P2.jpg" data-mid="121883529" border="0" data-scale="37" data-no-zoom src="https://freight.cargo.site/w/1000/i/4ea8725188b50a7cd7d80b975e22f9d01da159ae228c938fca6eea8341201101/P2.jpg" /&#62;(3) Co-working on Co-working by Engy Mohsen and Omar Kassab

	&#60;img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/8ba3ca722f1a62ebaa84e798bc2857bd404c6f8de29a4d4e4981180bb40e2ea8/DSCF0013.JPG" data-mid="121825077" border="0" data-scale="100" data-no-zoom src="https://freight.cargo.site/w/1000/i/8ba3ca722f1a62ebaa84e798bc2857bd404c6f8de29a4d4e4981180bb40e2ea8/DSCF0013.JPG" /&#62;
	
&#60;img width="5080" height="3955" width_o="5080" height_o="3955" data-src="https://freight.cargo.site/t/original/i/933f476b6b465b0687fc20a5aaa3c1fc44e0de8b4c7118897a901a497e49f7b5/P1.jpg" data-mid="121884459" border="0" data-scale="93" data-no-zoom src="https://freight.cargo.site/w/1000/i/933f476b6b465b0687fc20a5aaa3c1fc44e0de8b4c7118897a901a497e49f7b5/P1.jpg" /&#62;


&#60;img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/2a596e4f9d51aee33eed15ded34815b6c201737c53e4adf8c8ca03e08f330e00/DSCF0082.JPG" data-mid="121825144" border="0" data-scale="73" data-no-zoom src="https://freight.cargo.site/w/1000/i/2a596e4f9d51aee33eed15ded34815b6c201737c53e4adf8c8ca03e08f330e00/DSCF0082.JPG" /&#62;


&#60;img width="4896" height="3264" width_o="4896" height_o="3264" data-src="https://freight.cargo.site/t/original/i/b79bb4d2a27c72e45da2fa9f84c9ae42c348309b02ab22808bff98212e988dcf/DSCF0104.JPG" data-mid="121825157" border="0" data-scale="40" data-no-zoom src="https://freight.cargo.site/w/1000/i/b79bb4d2a27c72e45da2fa9f84c9ae42c348309b02ab22808bff98212e988dcf/DSCF0104.JPG" /&#62;


(4) Why do we form collectives? by Qaaf Laam Collective

&#60;img width="4896" height="3264" width_o="4896" height_o="3264" data-src="https://freight.cargo.site/t/original/i/a0604a5d81283fea291461c43739e1363d25ba343ff8fd4d5edb097945920366/DSCF0002.JPG" data-mid="121825238" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/a0604a5d81283fea291461c43739e1363d25ba343ff8fd4d5edb097945920366/DSCF0002.JPG" /&#62;


&#60;img width="3264" height="4896" width_o="3264" height_o="4896" data-src="https://freight.cargo.site/t/original/i/ac58e723b0eaa5826722edb388176b96b426653aebfefea621aee9be8d6e920b/DSCF0089.JPG" data-mid="121825257" border="0" data-scale="90" data-no-zoom src="https://freight.cargo.site/w/1000/i/ac58e723b0eaa5826722edb388176b96b426653aebfefea621aee9be8d6e920b/DSCF0089.JPG" /&#62;
	
&#60;img width="4896" height="3264" width_o="4896" height_o="3264" data-src="https://freight.cargo.site/t/original/i/331ba09a0c2775c971c8cc35fe1eeac27c46edb134f4192bdf8d88886bcd52d3/DSCF0015.JPG" data-mid="121825252" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/331ba09a0c2775c971c8cc35fe1eeac27c46edb134f4192bdf8d88886bcd52d3/DSCF0015.JPG" /&#62;


(5) On Creative Togetherness by Rana Ashraf
 

	&#60;img width="3407" height="5110" width_o="3407" height_o="5110" data-src="https://freight.cargo.site/t/original/i/d4527edfec830e5b8042bf98688038e11028f5c427c602f84656d873730f1cf0/_MG_6293_.jpg" data-mid="121885234" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/d4527edfec830e5b8042bf98688038e11028f5c427c602f84656d873730f1cf0/_MG_6293_.jpg" /&#62;
	&#38;nbsp; &#38;nbsp;&#60;img width="3954" height="5068" width_o="3954" height_o="5068" data-src="https://freight.cargo.site/t/original/i/e26e3ade1b3f44556799b8801884c496dd5ccba8108c2d36b287bd38912bd39b/P3.jpg" data-mid="121885236" border="0" data-scale="59" data-no-zoom src="https://freight.cargo.site/w/1000/i/e26e3ade1b3f44556799b8801884c496dd5ccba8108c2d36b287bd38912bd39b/P3.jpg" /&#62;

&#38;nbsp; &#38;nbsp;&#60;img width="1371" height="3874" width_o="1371" height_o="3874" data-src="https://freight.cargo.site/t/original/i/9ed3e45d517d5bf9d2123b24335eecfb9803105ff6c5e10c4c98ba2f691b6f32/P13_NoC_3.jpg" data-mid="121885810" border="0" data-scale="43" data-no-zoom src="https://freight.cargo.site/w/1000/i/9ed3e45d517d5bf9d2123b24335eecfb9803105ff6c5e10c4c98ba2f691b6f32/P13_NoC_3.jpg" /&#62;

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